Almost Anything Goes: Architecture and Inclusivity
On view: January 5 – March 16, 2014
Opening Reception: Saturday, January 4, 6–8 pm
The last 20 years have witnessed a groundswell of popular cultural interest in the field of architecture. Some trace this influence to Frank Gehry’s seminal Guggenheim Bilbao, completed in 1997, which generated such neologisms as “the Bilbao Effect,” “starchitect,” and “wow factor architecture.” Recently, Gehry’s influence and that of other significant West Coast architects was the subject of several important exhibitions and publications via the Getty’s Pacific Standard Time initiative, Modern Architecture in LA (1945-1980). With a momentum of ever-expanding interest in the field, the exhibition Almost Anything Goes: Architecture and Inclusivity at the Museum of Contemporary Art Santa Barbara (MCA Santa Barbara) considers the next generation of architects in Los Angeles.
The architects featured in this exhibition, Catherine Johnson and Rebecca Rudolph, Design Bitches; Doris Sung, DO/SU Studio Architecture; Benjamin Ball and Gaston Nogues, Ball Nogues Studio; Robert Miles Kemp, Variate Labs; Elena Manferdini, Atelier Manferdini; and Ramiro Diaz Granados, Amorphis LA, embrace cross-fertilization, collaboration, and adaptation creating new methodologies for research and implementation. Additionally, these makers, thinkers, and teachers traverse myriad, related fields utilizing an architectural perspective (visual arts, theory, design, and fashion). This spirit of inclusivity owes to a particular set of extant conditions including a dearth of building projects due to the recent recession, new digital technologies, growing ecological concerns, and a renegade spirit of experimentation unburdened by the weight of tradition. On the basis of installations, photography, material samples, textiles, and interactive media, Almost Anything Goes, presents a range of activity produced by some of LA’s most innovative contemporary architects.
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